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Send tape echo echo delay : ウィキペディア英語版 | Send tape echo echo delay Send tape echo echo delay (more commonly known as STEED, alternatively known as single tape echo and echo delay) is a technique used in magnetic tape sound recording to apply a delay effect using tape loops and echo chambers. In 2006, while publicising his memoir (''Here, There, and Everywhere: My Life Recording the Music of The Beatles''), recording engineer Geoff Emerick stated that "God only knows" how the effect worked. == Technique ==
The technique was developed at Abbey Road Studios in the early 1960s, by recording engineers Geoff Emerick and Ken Scott, while both were under the supervision of Norman Smith. It involved delaying the recorded (dry) signal, sending it into the studio's echo chamber using a tape machine. The dry signal (without delay) was also sent to the chamber via the tape machine's replay head. The resulting sound was picked up by two condenser microphones. These microphones then fed the wet signal back to the recording console. The amount of feedback could be controlled allowing multiple delays to be sent to the reverb chamber, which could lengthen the effect's decay time. An identical technique was used for the production of ''Anthology 1'' in 1995, where JBL speakers were used to play the sound within the echo chamber.〔
抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「Send tape echo echo delay」の詳細全文を読む
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